I write from one perspective. All of my novels are told from the point of view of one character only—the heroine. I do that on purpose, and I’ll tell you why.
- With a romance, I feel like dual perspective can slow down the story-telling. You end up rehashing portions of the same action from both points of view. That can turn into more words telling less of a story.
- If I were to do dual perspective, I would need to write half of the book from a male point of view, and I simply don’t think I’m good enough at that to commit to it.
- My biggest reason, though, is this: My books are—first and foremost—romances. The big question that is going to be answered at the end of the book is always:
HOW WILL THEY END UP TOGETHER?